Daisy Ridley‘s Die Hard-style action thriller Cleaner is finally available to watch in the UK – and you can do it from the comfort of your home.
Released in US cinemas back in February, the high-octane movie stars Ridley as window cleaner Joey Locke, who’s suspended 50 storeys up outside a London skyscraper when terrorists hijack a company gala.
With her brother among the hostages, Joey takes it into her own hands to save the day and take down the terrorists.
If that sounds like something you want to see, Cleaner is available to watch right now on Sky Cinema for all subscribers, as well as on NOW for anybody with a Cinema membership.
Don’t worry if you’re not a Sky subscriber, you can add Sky Cinema to your existing subscription for £10 per month for a 24-month contract.
And if you’re not a Sky subscriber at all, you can take advantage of one of Sky’s ongoing deals such as the Sky + Cinema + Netflix package which gives you access to Sky channels (including Cinema) and Netflix for £25 per month for a 24-month contract.
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Directed by Martin Campbell – who previously directed James Bond films GoldenEye and Casino Royale – Cleaner also stars Clive Owen, Taz Skylar and Bridgerton‘s very own Ruth Gemmell.
Cleaner is not the only major movie coming to Sky Cinema this month as the May premieres also include horror remake Speak No Evil, long-awaited sequel Beetlejuice Beetlejuice and critically-acclaimed animation The Wild Robot.
Other recent additions to Sky Cinema which are available to watch right now include Smile 2, Despicable Me 4, Trap and It Ends With Us.
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Ridley will team up with Campbell once again on action thriller Dedication, in which she plays decorated Marine Corps commander Major Billie Jean Parker.
After she is relieved of duty following a mission gone awry, Billie is called upon to save the day when a dedication ceremony is attacked by anarchists.
Cleaner is available to watch on Sky Cinema now.
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Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).