When Hollywood has depicted an inversion of this age gap dynamic in the past, it’s generally been done to demonise the older woman. One of the most renowned examples is The Graduate (1967). The film starred Dustin Hoffman as a 21 year old at the mercy of a middle-aged seducer Mrs Robinson (Anne Bancroft). Mrs Robinson is at the periphery of the story and portrayed as a sad, fading beauty in competition with her daughter who eventually “wins” the man.

This depiction of a bitter older woman is being challenged by a surge of recent films that centre characters over 40. Babygirl (2025) stars 57-year-old Nicole Kidman as a CEO in a relationship with an intern 30 years her junior, defying gendered stereotypes and sexual power dynamics.

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Similarly, Anne Hathaway, 41 in , falls for a 24-year-old pop star. Unlike the daughter in Mrs Robinson, who is perceived as the competition, her character’s daughter has her back and acknowledges the double standards women face when the age gap is this way around.

Even so, 2024 was referred to dismissively by some as  following the release of two Netflix romcoms, A Family Affair (again with Nicole Kidman, this time paired with 36-year-old Zac Efron) and Lonely Planet (with 57-year-old Laura Dern and 34-year-old Liam Hemsworth).

Despite this online mockery, the trend looks set to continue. The upcoming Bridget Jones sequel, Mad About the Boy, will show Bridget (played by Renée Zellweger who is now in her 50s) dating a 29-year-old Leo Woodall. Meanwhile I Want Your Sex, set to release in late 2025, will star .