Dhurandhar Box Office Collection Worldwide Day 24 Update: The Ranveer Singh-starrer has crossed the Rs 1,050 crore mark globally. (Credit: IMDb)

Dhurandhar Box Office Collection Worldwide Day 24 Update: As has been its style since day one, director Aditya Dhar’s Ranveer Singh-starrer Dhurandhar casually broke yet another box office record, and continued its untameable run in theatres on day 24 as well. In a significant achievement, the spy actioner surpassed the worldwide gross of director Siddharth Anand’s Shah Rukh Khan-starrer Pathaan (2023) on Sunday, December 28, moving up a spot in the list of highest-grossing Indian films of all time. During the day, the movie also crossed the Rs 700 crore mark at the domestic box office, becoming only the fifth title ever to do so.

On Sunday, Dhurandhar recorded an India nett collection of Rs 22.5 crore as per early estimates, according to industry tracker Sacnilk. It may be mentioned here that the movie had minted Rs 20.5 crore on Saturday. Dhurandhar’s total domestic nett now stands at Rs 706.40 crore, according to the film’s makers. The only other movies to surpass the Rs 700 crore mark domestically are Pushpa 2: The Rule (Rs 1,234.1 crore), Baahubali 2: The Conclusion (Rs 1,030.42 crore), KGF: Chapter 2 (Rs 859.7 crore), and RRR (Rs 782.2 crore).

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Meanwhile, on Sunday, the movie also crossed Pathaan’s worldwide collection of Rs 1,055 crore and emerged as the seventh highest-grossing Indian film of all time, with a worldwide total of Rs X crore. In this list, Dhurandhar is now trailing behind director Atlee’s SRK-led Jawan (Rs 1,160 crore). Although Dhurandhar is faring far better than Jawan at the moment, as the SRK-starrer’s fourth Sunday earnings stood at Rs 9.37 crore, the Ranveer Singh movie’s overseas collection (Rs 230 crore) is nowhere close to the 2023 actioner (Rs 400 crore), making it doubtful if or when the film will break Jawan’s record.

On Sunday, Dhurandhar recorded an overall occupancy of 46.58 per cent in the Hindi market. While the morning shows commenced at 26.31 per cent, the rate jumped exponentially during the afternoon shows, which saw 56.54 per cent occupancy, and the evening screenings registered 56.89 per cent.

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